Titus Kompleks
Trailer DasDas
Team
Editing, Text
Olga Helen Bach, Thomaspeter Goergen
Translation
İlksen Başarır
Director, Stage design, Costumes
Ersan Mondtag
Second director, dramaturgy
Thomaspeter Goergen
Stage design implementation
Alexander Naumann
Lighting design
Kerem Çetinel
Music
Tristan Brusch
Visual design
Ecem Akça
Camera
Çiğdem Akdoğan, Oğulcan Tütüncü
Sounddesign
Doğukan Sivaslıgil
Conductor, Vocal rehearsals
Kübra Şenyaylar
AI-Videodesign
Tymoteusz Schodowski
Production coordination
Ersin Yaşar
Stage manager, Visual coordination
Elif Mandan
Orchestra: Equinoxion Ensemble
1st Violin
Cenk Atasoy, Arda Güven, Cahide Rüzgar Turgay
2nd Violin
Ozan Bıkım, Buse Kademli, Ebru Taşkın
Viola
Yelda Cansun Korsu, Seda Eylül Tansık, Seval Doğa Gürcan
Cello
Deniz Doğangün, Şemsa İdil Ural, Devrim Büyükbayraktar
Double bass
Can Canoğlu
Cast
Ensemble
Can Sipahi, Didem Balçin, Doğukan Polat, Elçin Afacan, Hillal Attar, Mert Fırat, Onur Dilber, Yalı Danışman
This is a story from the depths of theatre. This is a dark, merciless, and doomed story that’s capabale of scaring people away for centuries. No, not just a story too, an anti-story that hasn’t done its penance yet, more like a shocking scream that keeps getting louder with terror, coming from the circus of the creatures to whom we call humans.
Young writer Olga Bach, in the middle of this absurd century, visits this horrid man’s legend with magic. In the age of show, crisis, and surrendered logic, she captures the monstrous soul and set-up of Titus Andronicus, and revives the play and the characters.With director Ersan Mondtag, who pushes the boundaries of our imagination, Olga Bach, imprisons a monstrous souled Roman into the world of contractors and merchants, where everything is bought and sold in the slaughterhouse of capitalism. Just like an analysis of a wild massacre, she tells the story of theft, betrayal, heresy and cannibalism in today’s language.When pleasure takes fear’s place, it becomes its own imitation. At the end fear mocks itself – and we experience it again on the inside.